Gärtner & Jurish

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guitars

Mission Statement

Boldly (or failing that, badly) to split infinitives no featherless biped has split before

...or to not...

Musically, we see ourselves as eclectics, working with a wide range of improvised and composed contemporary music (names have been omitted to protect the innocent).


Biographical Tidbits

Hans-Martin Gärtner

Hans-Martin Gärtner + Guitar
  • mid 1970s to late 1980s
    Bassist (esp. fretless bass) in various Rock- und Jazz formations im and around Frankfurt/M

  • 1986/1987
    Jazz improvisation course in Glasgow with Sandy Evans (Saxophone)

  • Since early 1990s
    • Concert guitarist
    • Private studies with Hubert Machnik (Frankfurt/M)

  • Instruments and Equipment
    • Concert guitar (Aragon)
    • Frame Guitar
    • ROland GR-33 Guitar synthesizer
    • Guitar Rig from Native Instruments
    • Software Synthesizer "Absynth" from Native Instruments
    • Diverse assorted software tools for sampling, loops, rhythm, and text
    • ROland acoustic guitar amplifier
    • Polytone Mini-Brute III (bass amplifier)


Bryan Jurish

Bryan Jurish + Guitar
  • 1980s
    Violinist, youth orchestra & private study

  • 1991 - 1996
    Folk/rock/jazz guitarist in various configurations in and around Chicago

  • Since 1996
    • Various projects in Potsdam and Berlin, Germany
    • Concentration on free & constrained improvisation: guitar, electronics & software
    • Programming of diverse assorted performance-oriented software tools

  • Instruments, Equipment, & Software
    • Takamine half-body steel-string acoustic guitar
    • Epiphone (Gibson) hollow-body electric guitar
    • Null-input and/or acoustic resonance feedback mixer
    • Home-built electronics
    • Diverse assorted effects pedals
    • Diverse assorted software programmed with and for the free signal processing environment Pure Data (Pd)
      • All software used is freely available (Linux, Pd, ratts/rsynth, gfsm, etc.)
      • Focus on text and speech, both sampled and synthetic


Audio Material

Caveat Auditor: Many of the tracks in this section are drawn from live rehearsal recordings: studio quality is not aspired to, and is not to be expected!

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